Archive for the ‘2016 movies’ Category

It’s been twelve years since Japan’s last Godzilla film. Final Wars, the ridiculously campy but enjoyable film of 2004 was meant to be the last Goji film for at least ten years. Toho kept their promise and made us wait, until Gareth Edwards’ American reboot was released two years ago. 

I think that film may have created many new fans in the U.S. Either that, or more people like the Gorilla Whale than I thought. The theater for Shin-Godzilla in OKC was packed yesterday. That was honestly the first time I had trouble finding a seat within a theatre. 

It would be awesome if everyone there was a long time fan of the saga, as well as if they were new fans as a result of the American reboot. But part of me thinks they were there to enjoy but still poke fun at “a guy in a rubber monster suit”. If that’s the case, then I’m sort of pissed, because this wasn’t a campy film at all. 

But how does it fare in comparison to the American remake? 

For starters, it’s much darker. Death and destruction are more rampant, the world’s reaction is more believable, and the politics are in total turmoil over what to do about the monster. I’m not Japanese, but I still get it – the recent nuclear meltdown, natural disasters, foreign policy, etc. The dynamic between America is perhaps the most interesting aspect where the humans are concerned. Japan’s leaders are all indecisive bureaucratic old men in the film, who initially contact countries such as Germany, France, and the United States for help to eradicate Godzilla. Naturally, there are interpolitical conflicts between Japan and America over what to do. America wants to drop a nuke on the monster after evacuating Japan, but the Japanese don’t want their homeland destroyed by something with even more destructive power than the monster itself. One character even says, “Man is more terrifying than Godzilla.” 

Deep stuff! Especially for a Godzilla film made after 1954. 

The second thing that sets this apart from the American version is, believe it or not, the special effects. I just couldn’t believe my eyes – Toho finally outdid Hollywood with CGI and motion capture. Godzilla goes through four different life stages, evolving in a way similar to the monster Hedorah from the Showa series. While it’s an innovative idea that makes this Goji incarnation different than all the rest, the second form could have been rendered much more effectively in design. I liked the idea, but a lot of people in the theater laughed when his “slug form” first makes landfall. 

The fourth and final form, which shares the basic body type of the Godzillas in other films, is fantastic though. I actually think it was beautiful. More menacing and cool than he’s looked in all the films put together. It’s like the 1954 design, but more hardened and rotten looking. He literally bleeds radioactive blood and pieces of his flesh all over the place. His behavior matches the original version as well. No emotions, no facial expressions, just a moving atomic bomb that does nothing but walk and kill. I really like this aspect of the creature (he’s like a zombie Godzilla), but I can understand how some fans might have wanted him to show more character. He still could have been an evil God incarnate if the Fx guys had given him facial expressions, but that might have made him less imposing in my opinion. 

But the things this Godzilla can do make this film the strangest kaiju film I have ever seen. Constantly evolving, bleeding, and unleashing never before seen weapons from his body make him drastically different than any Goji we’ve seen before. The only things this one really has in common with the older Godzillas are his body shape and his attitude. Other than that, Shin Godzilla is almost an entirely different creature. The 2014 American reboot was closer to the older Japanese installments than this one in terms of the creature, and no film since the 98 American remake has so drastically changed the character. 

Even so, it’s still Godzilla, and it’s the best version yet. I won’t spoil anything (though I already knew of the monster’s differences via Internet leaks long before seeing this movie yesterday, so I’m sure most fans already know what to expect), but be prepared to be pleasantly surprised by some of the things this beast can do.

After about 30 minutes of some pretty well directed tension with the human characters, sparced with brief cutaways of Godzilla done in just the right amount, shit starts to get real. A nighttime battle sequence is shown between America, Japan, and the monster. 

Best scene in a Godzilla movie.

Period. Just see it for yourself. 

After this, however, the plot drags on with all the politicians and the military trying to figure out what to do. While interesting in concept, their dialogue eventually reaches some incredibly boring moments. About an hour of them. And it’s not like other Godzilla films where the problem may have been not enough dialogue – it’s WAY too much dialogue. There’s hardly any moments of silence when a human is shown, which honestly makes it look like the characters are all hopped up on drugs or something. No tension, no silent pondering, no tense moments of apprehension. Just talking and running. And, as usual in the Goji films, when a Japanese person in this film speaks English, it just sounds awful. I don’t mean the accent or anything like that, I just mean that it sounds like the actors literally only learned a few sentences of English during this movie’s production. It should have either been all in Japanese or only a couple of English sentences when the characters are conversing with America. Instead, about a third(or half) of the dialogue is in English, and it just hit the ear wrong with me. The way this film’s actors were directed wasn’t nearly as good as the way they were in the 2014 movie, or even the sometimes ridiculous ones of the 1970s.

Still, it’s a great story – just a little too much going on at once. 

After about an hour of all that, the film reaches its third act with an impressive joint operation between Japan and the States against Godzilla. The way it’s done is the most original idea the military has ever had in a Godzilla film. It involves a lot of different tactics, and I refuse to spoil it, but I will say that it involves trains and bio weapons, among many other things. 

The music in the movie is phenomenal. Hearing Akira Ifukube’s original themes again, laced with slightly altered versions of them, was a real treat. Sometimes, electric guitar is used, much like in Godzilla: Final Wars, and while it is tolerable, it isn’t very impressive. The riffs in Final Wars were much more interesting and complex, but give me an orchestra for a Kaiju film anyday anyway. 

So, despite some of my complaints, can you tell what I think of this film?

Gold. Pure gold. The best Godzilla film since the original. And while the original was better made and more thought out, it’s still not as enjoyable to watch as Shin Godzilla. Call me a heretic, but I freaking love this movie. 

9 out of 10 

BTW…his atomic breath alone makes this movie worth watching. 

lol…..lol…..lol…..

This isn’t going to be very long. I’m already sick of reviewing stuff anyway and want to get back to poetry and my books, but I can’t resist reviewing this film. I’m gonna be lazy about it and not be in depth or anything, which is actually kind of more than it deserves lol.

When I say that, I mean that it isn’t a good film compared to other good films. It’s not well thought out. The plot sucks. The actors suck. And, most importantly, it’s not going to be remembered in the same way the original ID4 was remembered. Even though the original wasn’t like an Oscar winner or anything, it was still fun and bombastic (like most movies of the 90s). 

But if you are like Roger Ebert and hated the original, then you’ll wanna stab your eyes out with this one. 

Aliens come back to destroy the world. But instead of multiple mother ships, they come back with…..

ONNNNNNNEEEEEEE!!!!!!!!!!!!!

Don’t need to clarify that plot hole. 

Now, at first, I thought their whole “picking up China And dropping it on Europe” was fucking stupid. Like, what’s the point?

But now, I see that the aliens have emotion and actually have resentment towards humankind for the war of 96. Revenge in the most destructive and “fuck you” way possible.

(Or a way to sell movie tickets by “trying” to be original) 

Back to the one ship thing, the aliens are now revealed to be controlled by a queen. She rips off of Aliens and Godzilla.

Heavily.

Now I will list my two main complaints. 

Those badass, slithery, freaking tight looking aliens are back, suits and all. But guess what? 

They’re all CGI. 

I’m sick of movies doing this. Does the population really not realize that practical effects work way way way way better than computerized ones? Or is it the studios’ fault? In one scene, the aliens shoot a bunch of people with their guns as they wade around within some form of creek or something. 

Halo 6!!!!!!!! Yay!!!! Oh….wait….

Why wipe out all of humanity in one fell swoop when you can hunt them down on the ground with laser guns? Right?!?!?!

The other main complaint I have(aside from the script and the acting) is that this film TRIES SO HARD TO BE EXACTLY LIKE THE FIRST INDEPENDENCE DAY. I mean LITERALLY. I felt sort of the same way with FORCE AWAKENS, but at least it didn’t seem contrived. Plot structure, lines, everything. 

Be all that as it may, however…

This movie is FUN

I think they should have taken it more seriously, but they obviously didn’t. If they had, it coulda been a film that would be remembered for decades to come.

But since it wasn’t made seriously, and was made more as a campy throwback to the original, it is actually a very enjoyable film with some great moments and good special effects(practical would have been better though). 

Therefore, I give ID4 Resurgence a 6 out of 10.

But it’s like a 3 if they Actually seriously tried their hardest on it.

I’m a sucker for aliens! Can’t help it! 

Bottom line (hate me if you must) it’s worth watching, but still nothing compared to the original ( much less compared to landmark sci-fi such as “alien”, “Star wars”, and “Star Trek”). 

BRENT SPINER IS FREAKING AWESOME THOUGH 

p.s.

Why are the digital effects not as good as they were in another Emmerich movie titled, “Godzilla” (in name only)? It’s been eighteen years since that one came out, and this one looks shitty compared to it. Video game CGI….I digress.