Archive for May, 2017

Ridley Scott knows what he’s doing. He knows damn-well.

The 2012 Alien prequel known as Prometheus, while being a film of grand visuals and ideas, was much maligned by many xeno fans due to the lack of the iconic monster first introduced in 1979. Was it an Alien movie or wasn’t it? Though I knew it was well before seeing it, that question still entered my mind on more than one occasion while viewing it. Not enough creatures, not enough deep space claustrophobia, not enough psychological horror, not enough…well, ALIEN.

Sir Scott has learned from those mistakes and brought back the terrifying face rapist in all its slimy glory. There’s no question – COVENANT is a full on Alien movie, and, at a few frightening points, is a bright highlight of the whole franchise. I read a quote from Scott where he says “okay, you wanted aliens? All right. I’ll give them to you.” Give them to us he does, in a way that would make Giger proud, in a bloody, disgusting (my wife had to look away many times to keep from vomiting), and, yes, scary way.

It didn’t actually scare me (I’ve seen these films since I was four years old), but the pacing and structure of the first two acts truly did fill me with dreadful anticipation. You’re going to be gripping your arm rests, waiting with a racing heart to find out what happens next.

One thing I liked about it was the music. The new score was foreboding and excellent, don’t get me wrong, but the real treat (and there are MANY treats in this movie) was hearing Jerry Goldsmiths score from the 1979 original. Those haunting symphonies haven’t been in a motion picture since 1986, and they will put a smile on any Alien lover’s face that will remain for hours after watching the movie. And that’s just one example of why this film is so excellent. Just like Star Wars, Trek, Godzilla, and Marvel movies, retro is IN. everyone’s bringing back the movies of the 80s and revamping them. Usually it ends up being a rehash of sorts, and seems to indicate that Hollywood has run out of ideas, but with Covenant, the nostalgia is extremely effective. It honors the other films in the franchise, and plays out like an Alien greatest hits collection. The claustrophobia and slow pacing of the original, the intense action of the second one, the existential nihilism of the third, and the beautiful body horror of the fourth – all these elements are combined and hybridized in Covenant like one of David’s unholy mutations. Speaking of David, he and his doppelganger, Walter, are the best parts of the film where characterization is concerned. The dialogue and nuances between them is fascinating to watch, and the parts are played very well by Fassbender. All the acting in the film is great, even if the characters aren’t very memorable. But I didnt see it for the people. And neither will you. It’s all about that xeno, baby. These Aliens are wicked. They move faster, look sleeker, and do more damage than they’ve ever done before. The NEOMORPHS, an early breed in the xeno evolution, are both beautiful and sickening. They enter the body through spores, then burst out from either a back or a neck. These violent eruptions alone make Covenant one of the bloodiest movies I have ever seen. The creatures start out almost “cute”, but quickly mature into living nightmares. With white skin, spiked backs, and human like limbs, they look like a ghastly combination of Giger’s scariest paintings and the Newborn from Alien: Resurrection. There’s one shot in particular where a Neomorph stares into the face of David as he tries to communicate with it. These short few seconds are the epitome of cinematic horror. You actually FEEL like the monster is looking at YOU, and it really is quite a thrilling feeling…

But the movie’s crowning achievement is the traditional chest bursting scene. Though it doesn’t shock us nearly as much as the original did (we are probably all secretly a little sick of it) it still packs quite a punch. There’s no way to ever recapture that particular moment of terror from the first film, but the Alien birthing scene in Covenant is still better than all the chest burster sequences of the other 6 entries. And, despite being visceral and completely over the top, the moment somehow elicits a feeling of beauty and even tenderness, which is something I’ve never felt while watching a horror movie. You’ll just have to watch the scene for yourself to know what I’m talking about. 

Oram: what do you believe in, David?

David (smiling): Creation.

With a subplot focusing on androids retelling the tale of Satan’s rebellion (David is Lucifer, Walter is Adam, the Xenomorphs are the demons, Earth and the xeno home world are both symbols of paradise, and humans and Space Jockeys are “God”), a well paced and well structured screenplay, good acting, fantastic special effects (too many CGI aliens though, as it is with monsters in EVERYTHING nowadays), and horror that makes the blood run cold, Alien: Covenant fixes all of the problems of Prometheus, explains the origin of the Xenomorph, and stands as the third best entry in the franchise, behind Alien and Aliens by only a little bit. This is a better “throwback” movie than the new Star Wars episodes, the American Godzilla, Jurassic World, and all of the superhero movies combined. Long live nostalgia, and long live the facehugger. 

Advertisements

Fantastical face

Heart like a pulsar

Immaculate body

And eyes like an emerald ocean
These are the things 

The things that give me breath

They give the breath, then they take it away.

Is there a way to make her stay?
Intelligent eyes

Hand crafted soul

Crafted with the very energy and essence of God

He knew what I wanted

Knew what I needed

And he let one of his angels

Leave the heavenly realms
Mortals like me

Don’t ever see

The face of an angel

The form of a goddess
I guess the fairy tales were true

Believe it, receive it….

The love of sacred female

The Face

Posted: May 2, 2017 in blog, Haiku, poetry
Tags: , , , ,

Eyes, supernovas

Lips pour knowledge like the seas

Countenance, so bright 
Hair like the forests

An intricate web of life

We want to get lost
Hands that hold mountains

Arms outsretching all towers

Feet rest on the earth
Descriptions, lacking

You are more than all of this

Cosmos can’t contain